Author Archives: shannengaffney

2014 CMJ Nominations are Open!

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Are you a person involved with CMJ/College radio? Do you like us at all? (just a little?) Then consider nominating us for the 2014 awards! Whether it’s “Best use of limited resources,” “Most creative programming,” or “most likely to inappropriately hit on me,” we’ve got to qualify for something that last one, at least.

Additionally, and more excitingly, the 2014 artist line-up for the festival has just been announced, and includes the Wytches, 2:54, Juan Wuaters, Porches, Saint Pepsi, and even GERARD WAY among others!

We’re #stoked.

Gerard

See you there! 

 

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In-Studio: Clipping. Live at WKDU 8/22/14

Before Clipping.’s Union Transfer gig with Shabazz Palaces last week, the LA-based trio came into the studio for a live session with us. The monster set includes seven songs separated into two tracks on our bandcamp site.

The session will be available to download for one week, and will stay streaming afterwards. Listen below!

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In-Studio: Tweens Live at WKDU (6/13/14)

Tweens came into the studio for a live session with us in June, and played five songs including a new unreleased track! Listen & download below.

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Bear in Heaven release trippy “Autumn” video

BIH’s latest album, Time is Over One Day Old is out now on Dead Oceans.

 

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by | August 26, 2014 · 2:50 pm

An Interview with Nashville funk nonet Dynamo

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Wil Schade: I’m here in the studio with a very special band Dynamo, who just killed an in-studio performance at WKDU. I am joined by Kevin [Gift Jr.] and Ryan [Connors], the bassist and pianist of Dynamo.

Ryan Connors: Thanks for having us.

Wil Schade: You guys are from Nashville, Tennessee. You’ve been on tour for two weeks now. How has it been?

Ryan: It’s been great man, a lot of different types of venues. One of the cool things we’ve been doing on the road is giving clinics and master classes at high schools and middle schools. Those have been really fun too. We usually do those in the mornings on weekdays. Those have been a blast, and once again different scenarios at every one of them. You never know what to expect.

Wil: So what has been the craziest moment of tour so far? I have to ask that question.

Ryan: Craziest moment of tour? Man, that’s a tough one…

Kevin: That we can say on radio, or..? [Laughs]

Ryan: Well, one story that comes to mind actually happened right before the tour. The night before we left, our drummer’s van, like a utility van, basically broke down and couldn’t start. And this was the night before we had to leave for the tour. So we basically towed it away that night, took it to the shop, and then got it two hours after we’d planned to leave that day. So we were running late to a gig in Columbus, ran into three hours of traffic, so we got there literally right before we had to play. Everyone was really stressed out but everyone played really well because they had a lot of aggression that they had to get out. [Laughs]

Wil: You’re a large group. So, what are all of your different musical backgrounds and how did you guys meet, at first?

Ryan: Seven of the nine members went to Belmont University down in Nashville Tennessee. Four of us that went there actually got our Masters in Music. We graduated just last week or two weeks ago. So that’s sort of the story there. We come from all over the map, like Pennsylvania, Ohio, New Jersey, Illinois, and upstate New York. Our keyboard player/trombone player is the only one actually from Nashville Tennessee. So we all just kinda came together from really different backgrounds like you were just saying. Kevin, our bass player, plays in churches. Some of the guys are just straight ahead jazz players. The guitarist can play, like, a country gig if he needs to. We’re all kind of well rounded, but we all enjoy this style of music I think the most. Everyone’s on board with making really great music.

Wil: You guys just released Live at Ocean Way, a live in-studio album for an audience of forty members?

Ryan: Yeah. We did three shows that day, December 8th 2013. We had three shows so that we could each have three different live takes to choose from. Each show had forty different people in each audience, so a total of 120 people attended that concert that day, and we did eight tunes at each show. Actually the album is a compilation of the last show, the 8 o clock show. So that’s what you hear on the album, that’s what you’re getting.

Wil: So how was the recording process? Was it difficult with the live aspect and getting the perfect take?

Ryan: It was extremely difficult. We didn’t make it any easier on ourselves because we actually brought in a lot of outside musicians. If you listen to the album, that’s actually 24 musicians taking part. There’s a string quartet, we beefed up our horn section so there’s a baritone, tenor, alto [saxophones], trombone, trumpet.

Wil: There’s an EVI [Electronic valve instrument] on one of the tunes I heard.

Ryan: Yeah the trumpet player also plays EVI so he took a solo on one of the tunes, which was awesome. Actually that’s Joe Anderson from Philly. He just graduated from U Arts. So two of those horn players, including Joe and Ben Ford our trombone player, showed up basically that morning and sight read the charts all day. We’re already trying to get a lot of people together to play somewhat difficult music and that didn’t make it any easier [laughs].

Wil: Speaking of difficult music, you write most of the tunes. What are some of your influences? I know when I watched the YouTube videos it looks a lot like Snarky Puppy to me.

Ryan: For sure. I think everyone in the group is a very big Snarky [Puppy] fans, myself included. I actually had a chance to go to Snarky Puppy’s live recording session for GroundUP.

Wil: ….I recognize your face now.

(Ryan’s face is the thumbnail photo for Snarky Puppy’s “Thing of Gold” video)

Ryan: [Laughs] Yeah, so I had a chance to talk with Michael League [Bassist and frontman of Snarky Puppy] and some of the guys in the band. Ever since then at live shows they’ll see me and recognize me. Their music was a big influence, but also the way that they carry themselves as a group. They’re really positive, really into music education. So that to me was a wake up call on doing things independently. Like understanding that you don’t need a tour manager and you don’t need to be signed to a record label to make good music. So that’s more of what I got out of seeing those guys, and that was their influence on us.

Wil: What has been the hardest part of being such a large band? Do you have side projects, or stuff you do other than Dynamo?

Ryan: Yeah. We’re all freelance musicians, but I think overall we pretty much make time for this group. When we’re down in Nashville we play a couple times a week at some of the venues down there, and so far we haven’t had any conflicts. I mean, if someone can’t make a gig it’s more like all or nothing. But if there are guest musicians that want to sit in that’s always something that’s cool for us to do.

Wil: I guess you guys have a large network of musicians. I mean, all the musicians you brought in on Live at Ocean Way plus if you’re in a crunch on the road and you need an extra musician.

Ryan: Yeah totally. And actually these are areas that we’re revisiting. I did my undergrad at West Chester University and so did Kevin. So while we’re in this area we’re probably going to meet some musicians that we went to school with and we’ll have them sit in, like Joe Anderson and Ben Fords. He’s out in Harrisburg so he’s going to play with us on Saturday night. So just letting people know that we’re coming through. Then if they want to come and play then by all means please do.

Wil: You guys are a fairly new band, coming together in late 2012. What was your strategy for getting yourself out there? It seems like you’re well on your way, but did you go in with any preconceived notions of how you were going to go about things?

Ryan: No. Basically my mentality was just write as much music as possible, play as many gigs as possible, and put ourselves in situations where we’re uncomfortable as much as possible. So that way we just keep growing constantly and we’re always writing new material, always trying to book a tour, and just basically challenge ourselves over and over again.

Wil: This is your first tour?

Ryan: Yeah. We did a short run-out last May, where we did one clinic up in Oswego, as well as two shows. But in terms of a fully booked tour, this is the first one.

Wil: So what’s next for you guys?

Ryan: June and July we’re actually taking a break, so you won’t hear anything from us then. But when we get back in August we have some gigs in Nashville. We’re hoping to do some run-outs in September through the fall. So run-outs to any area that’s close to Nashville like Chicago, New Orleans, North Carolina, Atlanta, any cities that we can get to and that it makes sense to go to. And then we’re probably looking at recording another album at the end of the year.

Wil: So you guys have been making new material. Have you been recording consistently? Are you guys in the works of a new album?

Ryan: Yeah, I would say we’re about halfway through getting some new material for a new album. But along the way we’ve been recording on the side with singers that we love to feature in our live shows. So the aspect there is doing covers and their arrangements of different covers. We just went in the studio right before we hit the road with Abby York and Ariel McFall. They did a version of “Rolling in the Deep” and “Sunny”, the jazz standard.

Wil: Awesome. Do you guys accept social media followers?

Ryan: Yes sir, we do.

Follow Dynamo on Facebook, Twitter, Instagram, and Youtube. 

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Reggae Marathon Re-Cap: Sweet Daddy Fish & Duprex Snape Break Down the History of Reggae on WKDU

By Chris Burrell

If you listen to WKDU regularly, you know that we don’t take reggae lightly – we currently have eight reggae shows on our schedule for the summer term. The only way that kind of support for one specific genre can exist is through cultivating a grassroots and dedicated listener base over many years.

The reggae marathon, which takes place every Memorial Day weekend, was instrumental in forming such a strong reggae listener base and connection with the Caribbean community in West Philly. Now in its 31st year, the reggae marathon is still going strong, as over 30 DJ’s from West Philly and beyond came out and fundraised in support of WKDU and the Red Cross Jamaica to be a part of the 100+ hour marathon.

On Saturday afternoon of the marathon, I was able to catch up with Clinton Fishley (aka Sweet Daddy Fish) to chat about the history of the event. Fishley has been involved with the marathon for 29 of its 31 years, and is heavily entrenched in the reggae scenes in West Philly and Germantown.

The reggae marathon started in 1983, when Hopeton Brown, General Manager of the station at the time, gathered DJ’s from Boston, Virginia, New York, Maryland, and beyond to connect through good reggae music and a charitable cause. The success of initial marathons was influential in establishing a large and dedicated listener base that has continued on today, where we still have numerous streams from Jamaican IP addresses each week. I phoned up my friend Duprex Snape of Jamcity Rock, who I go back to back with on Thursday nights, to get the scoop as to how reggae became such a big thing at the station.

“Once reggae was on the air, it just took off, and it was a way to stay connected to people – down in Jamaica and all over.”

Duprex has had his show, Jamcity Rock, on Thursdays from 6-9 PM for 14 years, and keeps a musical focus on the local scene and undisputed classics in the genre. One of the artists Duprex has supported on his show, who was also in the studio on Saturday, was Germantown artist Danny Roots.

Roots was born in Jamaica, grew up in East Flatbush Brooklyn, and made his way to Philly some years ago. He opened up on his musical upbringing to me, and recalled buying his first record, Dr. No Go, in Jamaica for 13 shillings and 6 pence.

This short blog post doesn’t come close to doing justice to the amazing work that these DJ’s have put in connecting the Caribbean community of West Philly through the thousands of hours they’ve logged on-air. If you’re ever looking to learn more about the genre, check out our summer schedule, tune into a reggae show, and call our studio to send BIGUPS to our amazing selectors.

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Needle Points Live In-studio

Click below to hear a live session we did with Philly-based psychedelic experience Needle Points in April!

“Let the boogie lick your lips. Let the jangle, shake your soul. Let the light shine on your third eye. And may your visions bring you back to love. Love which is…. Needle Points.” 

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by | May 28, 2014 · 10:56 am