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Badgalkiki’s Top Albums of 2014

By: Kirsten Becker
2014 was an incredible year of great rock and roll music. Here are some of my favorite albums, in kind of an order but not really.*~~
1. Aphex Twin- Syro
Kool album following a long period of just about nothing from this guy. Bonus points for being the only Aphex Twin album to not make me have a panic attack.

2. FKA Twigs- LP1
What a year for powerful women makin music. Lots of cool collabs featuring Dev Hynes, Sampha and company.
3. Actress- Ghettoville
Favorite album cover this year. Glitchy, minimalist techno vibes. Ninja Tune goodness.
4. Die Antwoord- Donker Mag
Wowie, nothing was quite better than catching Die Antwoord playing at 2AM at Bonnaroo this year. I still don’t understand the zef side but I am forever in luv.
5. Caribou- Our Love
THIS ALBUM IS SO FREAKIN GOOD. Reflective pop album about loss and love. Guaranteed to get u dancin.
6. Quilt- Held in Splendor
Throwback to 60’s psychy-folky stuff.
7. Cibo Matto- Hotel Valentine
I never thought I would ever see another album from this crazy Japanese duo. Sp00ky stories about ghosts, trip hop, lo-fi funk.
8. Hookworms- The Hum
The first track is such a good intro, haven’t stopped listening to this album just yet. The people describe this as “scuzzy.” I think that’s a good word for it.
9. Azealia Banks- Broke With Expensive Taste
FINALLY. I have been holding out for almost 4 years for this album to come out<3
10. Temples- Sun Structures
Still a pretty new band, this release follows in Tame Impala’s footsteps in the psych rock revival genre,
11. King Gizzard and The Lizard Wizard- I’m In Your Mind Fuzz
Nothing compares to randomly seeing this band during this year’s CMJ. GREAT ROCK MUSIC.
12. London Grammar- If You Wait
Swooning female vocals and reverb-heavy pop stuff.
Honorable Mentions:
St. Vincent- St. Vincent
Gardens & Villa- Dunes
The Horrors- Luminous
Spoon- They Want My Soul
Les Sins- Michael
Clipping- CLPPNG
Holy Wave- Relax
Snowmine- Dialects

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6 Shots of Black Friday Angst

By Esmail Hamidi
This mini-playlist comes from a particularly grumpy November afternoon – not necessarily Black Friday, but you get the idea. Songs that go through your head while you’re getting trampled trying to buy something you don’t need. Or something. Consumerism normally inspires positive emotions. In this playlist, this is not true.

1. I’ll Buy Myself – Suicidal Tendencies
Crass commercialism has never been far from music. I see this song as drawing connections between the self-indulgent similarities of music and consumerism, but that’s just me.

2. Every Table Needs a Knife – Vulture Shit
These boys got it covered. Their tunes draw comparisons to DFA1979, but fronted by the most charismatic, demented lead singer you could possibly pull out of a record crate, and sporting riffs that would set your local Guitar Center’s doorbuster effects pedal display on fire.

3 . Human Being – Coloured Balls
Step back. Think about it. You’re running through a crowd, and why is everyone here? To buy stuff. What? To me, the underlying theme of this song is getting wrapped up in thinking too hard about things. “What is a human being?”

This Australian proto-punk foursome laid the roots for AC/DC and tons of other rockers. They also tend to rip.

4. Goes Black – BIG UPS 
This day has gone black. Friday, that is.

5.  T.V. – Blink 182 
Before they were the poster boys of mallcore, Blink 182 kinda ruled. It reminds me of playing dumb PC skateboarding games. RIYL scrappy Ramones-esque harmonies and a straight California vibe.

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6. $$$ Problems $$$ – Brown Rainbow  

There are just some feelings you can’t put on layaway.

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Electronic Music Marathon Part 3: Rounding 3rd and coming home

A month after WKDU brought back the annual Electronic Music Marathon, I think I’m finally ready to get back into the swing of things, radio wise. I held off of posting this because I wanted to give myself some time to decompress and reconcile the INSANE 75 hours of DJing, dancing, and fun over Columbus Day weekend. We are working on posting the sets, so stay tuned to our Soundcloud page for those. In the meantime, feel free to read the play by play I wrote during the final day of the marathon.

Jersey Dan kicked us off at 11 AM, playing stuff like Crystal Castles and Nenah Cherry. It was dark, it was moody, it was exactly what I needed. Highlights of the set were the “Open (Jeff Samuel faded mix)” by Rhye and the DFA cover of “D.A.R.E.” by Gorillaz, where I got a chance to turn introspective more a moment and think for a bit. If I had to pick one word to describe his set, it would be contemplative. His set really gave a chance to look inwards at my own soul for an hour. Fun fact: Dan uses a free version of Virtual DJ to mix. True the college radio ethos he chooses free when possible, making the most out of what he can. Bonus fun fact: Dan used to be a professor here at Drexel back in 2008, great to have old faculty on board!

Maxwell Knubee from Brewerytown Beats, one of our proud sponsors of the event, stepped up to the decks next, spinning all wax. I spoke with him before he got on and he told me about the evolution of his set. Originally he wanted to spin psych-funk and go into 80s electro funk, but decided eventually to go with positive hip-hop. We talked about how the best songs are the ones that talk about how good music is, or how a specific brand of shoes is just super cool (when he told me that, I was hoping he would play “My Adidas” by Run DMC, and he did not disappoint!). His set definitely lived up to the expectations, and brought the funk and hip hop beats for all to enjoy, leading nicely into King Britt’s set.

As I’m writing this, I’m surrounded by King Britt’s crew, including members of The Village and Playback Radio. Many of these guys and gals have been here in the past for previous marathons and it’s an honor to have them back. For the newcomers, let me just say this if I haven’t already: welcome to WKDU and enjoy your stay!

King got on the mic at 1:00 PM to talk about his time in high school (Central High reppin’!), coming up in music, and some of his major influences. Look for the full interview online soon. About half an hour later he stepped onto our decks and started laying down the beats. If you ask Es, he’s a beat wizard. If you ask me, he’s a beatsmyth. Whatever your preferred nomenclature, he’s really something to watch perform. He combines magic on the deck with music in the air, forging tunes, sounds, and rhythms out of nothing. I’m writing this during his set, which is conjuring some deep images in my head, floating me along a soundscape of immense proportions. I’m envisioning vast rolling hills of dark earth colors, pulsating along with the beat. The second half of his mix got a lot funkier, throwing some soul vibes out there. I was busy doing my homework during this set and it made for some great jams for concentrating.

King Britt's gear

King Britt’s gear

Matpat popped up after King, to take us into the final 5 hours of the marathon. Bringing the club beats back into the building, he got me moving once more. Funky piano, soulful saxaphone, and sexy synthesizer. Matpat brought the funk and didn’t just warm up the decks: he got them blazing hot, closing his set with “Deep Inside (Shadow Child remix)” by Hardrive.

Matpat hits center stage

Matpat hits center stage

Risky Disko hit the decks at 5 PM for 2 hours, throwing down the low BPMs with some trip hop vibes. Despite their name, I didn’t think they had that disco of a sound, though I enjoyed the set nonetheless. As with Jersey Dan’s set, it was much more contemplative and I got some nice thinking done. I really enjoy the sets that take me on a musical journey, as opposed to the straight dance stuff. Peter remarked that the whole set had a Todd Terje vibe to it, which I’m inclined to agree with. They sounded very disco influenced, but with a very clean production and modern twist.

Risky Disko

Risky Disko getting up close and personal with Roberta Flack

And now I’m faced with the monstrous task of doing justice to Dave P’s set with words. I’ll try my best, but honestly your best bet is to listen to the set and check it out for yourself. He started out slow, and I kind of just sat with my thoughts for awhile. Bringing the energy up slow, all of us at the station started to jam with some really swampy sounding songs, getting some retro-futuristic synths (my favorite synths!) going. His mixing technique is really good, too: he handles CDJs like he was born clutching a pair in his hands. His slogan of “futuristic sounds” is pretty damn accurate, the songs he spun sound like they came from a club in a cyperpunk movie. House jams through and through, solid 4-to-the-floor beats to groove to. He wasn’t laying down just future sounds though, some of his tracks sounded like classic disco house jams, with some beautiful piano and synth pads for added spice.

Dave P

Dave P deep in the mix

His set just kept amping up over the last hour. There was a certain charge in the air- everyone there knew we were reaching the end of something huge and the excitement was palpable. The room we have in the studio where all the DJs performed over the weekend isn’t that large- we were able to tightly fit our equipment table, speakers, and a few people hanging out listening to the DJs perform, but at this point we had over a dozen people crammed inside, all dancing. Dave kept the energy rising, too- by the end of it, I was sweating (almost) as much as him, just from dancing around the room. When he finally closed out at 9:00, he said some wonderful words over the air and, surrounded by applauding DJs, finished off both his set and the 11th annual electronic music marathon.

I’d like to thank everyone who tuned in, everyone who performed, and everyone who donated their time, effort, and money to our cause. With your help we resurrected a long-dormant WKDU tradition. Not only did we get the chance to party in the station for 75 hours straight, but we had a chance to connect with the community and raise money and awareness for some fantastic local non-profits. The work Musicopia and The Village of Arts and Humanities do is truly noble and we are honored to have helped play a part in their dedication to arts education and empowerment. Having pulled this off in approximately 5 weeks (90% of the work on this marathon was begun on Labor Day), we learned an incredible amount and are already looking forward to next year, where we hope to make the 12th annual electronic music marathon even better. Thanks for stopping by, and of course, keep those radio dials locked!

A final jump for joy before we all promptly fell asleep

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Costume Contest Ends Tonight!

It’s not too late to enter our ‪#‎hallowkdu‬ costume contest! All you have to do (on Instagram, Twitter, or Facebook) is tag us in your costume photos and use the above hashtag. Here’s an entry from our Personnel Director Maren!

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Prizes will include a WKDU T-shirt and comp cassette, this Cloud Nothings slip mat sticker & pin, and this Twin Peaks tour poster!

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Winners will be announced tonight so get on it!

Happy Halloween!

Happy Halloween!

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POND at Johnny Brenda’s 10.16.2014

by Kirsten Becker

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Spearheading the neo-psychedelic rock movement, Australia’s Tame Impala has brought a fresh and exciting new sound to indie rock within the past five or so years. Their lesser-known, wild-partying young brother, Pond, has been doing just the same while staying just below the radar. With five albums already under their belt, the Perth-born and bred band is something of a cult favorite. Featuring both former and present members of Tame Impala, including at one point mastermind Kevin Parker, it’s no wonder Pond has garnered an incredibly loyal fanbase.

The October 16th performance at Johnny Brenda’s was their first time back in Philly in two years, having played at the same venue back in March 2012. Lead singer Nick Allbrook had fond thoughts about the city, pausing many times between songs to say he loves Philly because the city knows “how to let loose.” And let loose the crowd did that night. Leading the charge,Pond, visibly intoxicated the moment they arrived, brought a feverish energy that was reciprocated through the venue. Each song was played with a flawlessly rough vibe, with jarring solos and descents into musical madness interspersed in each epic track. Allbrook at one point went on about how he is terrified of America and his lack of knowledge of the Pumpkin Spice craze. The band also continued their love for Philly saying that most of their knowledge of the city comes from repeated watchings of Always Sunny.

The set included a composite of songs throughout their career, featuring newer songs from Hobo Rocket like “Xanman” to those of my personal favorite, Beard, Wives, Denim like “Fantastic Explosion of Time” and “You Broke My Cool.” They even reached into the archives and played some of their first songs recorded from Psychadelic Mango, including “Don’t Look at the Sun or You’ll Go Blind.”

The rousing finale of “Frond” was filled with rocking anthems and wild crowd surfing and energy. Pond’s performance was one of the most energy-filled shows I have seen in quite some time and one of incredible creative and nutty genius. Pond is slated to release a new album, Man, It Feels Like Space in January 2015.

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Introducting ExCITeCast

By: Maren Larsen

ExCITeCast, the official podcast of Drexel University’s Expressive and Creative Interaction Technologies Center (ExCITe), is coming to WKDU!

The ExCITe Center houses a unique piano which has been retrofitted with an array of sensors and electromagnets. This allows it to produce music with the timbre of a piano and the creative capabilities of other stringed instruments, like vibrato and pitch bending. On it, you can play music that ExCITe’s beat-sensing robots can dance or play along with. Those robots are outfitted in sleek protective armor created on the digital knitting machines housed in the center’s Shima Seiki Haute Technology Lab. All of this is located at 3401 Market Street–right on Drexel’s campus.

The ExCITe Center also houses the Drexel App Lab, the Entrepreneurial Game Studio (known for its involvement in the Cira Center’s giant Tetris and Pong games), a digital inclusion lab, and space for various other multi-disciplinary, highly-collaborative projects.

Pretty ExCITing, right? (ed note: groan.)

ExCITeCast airs the first Tuesday of each month at 9 a.m. on WKDU. I, Maren Larsen, Civic Innovation Co-op at the ExCITe Center and DJ of “What The Folk?” on WKDU, am the host of the program.

Each episode focuses on one of the center’s many projects. The first ExCITeCast, at the beginning of October 2014, highlighted the collaboration between the Shima Seiki Lab and our Hubo robotics researchers to create a technologically-advanced protective armor for the robots, allowing them greater mobility and durability. In case you missed it, it can be found on ExCITe’s SoundCloud.

November’s ExCITeCast will feature an interview with the Digital On-Ramps team, part of the Digital Inclusion Group based at ExCITe. Digital On-Ramps is in the process of developing an ePortfolio for jobseekers to store their resumes, work samples, and digital badges. They are also building career pathway maps for Philadelphia’s biggest industries so that those looking for jobs can see the next steps in their careers.

Join us on Tuesday by tuning in at 91.7 FM or wkdu.org!

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Not To Miss @ CMJ 2014

The CMJ marathon starts today! If you’re as confused as we are about how you’re going to make time for all the great artists this year, consult our list of artists we’re most excited for below. Will we see you there?

So many bands, so little time.

So many bands, so little time.

Repping Cheeseteaks: The PHILADELPHIA CREW
(ノ◕ヮ◕)ノ*:・゚✧

AMANDA X
amanda
 Moody post-punk from Siltbreeze Records
Catch their set:
Tuesday @ Cameo Gallery, Saturday @ Knitting Factory

DARK BLUE
blue
– Punk from members of Ceremony, Paint It Black, and Purling Hiss
Catch their set:
Sunday @ Rough Trade

BEACH SLANG

Alt-rock straight out of 1995 from Tiny Engines Records
Catch their set:  Saturday @ Baby’s All Right

PURLING HISS
PurlingHiss
–Lyrically poignant punk from Drag City Records
Catch their set: Thursday @ Cake Shop, Friday @ Baby’s All Right


BANDS FROM EVERYWHERE ELSE
(〜 ̄▽ ̄)〜


TWEENS

– Cincinnati trash pop trio singin’ about boredom, love, and weed. Listen our live session with them here.

Catch their set: Wednesday @ (the soon-closing) Death By Audio, Thursday and Friday @ Baby’s All Right

DUSKY
Dusky
– British house/techno duo
Catch their set: Thursday @ Verboten

MATTHEW DEAR
mdear
– 
Experimental dance pop from Ghostly International
Catch his set: Saturday @ Verboten

ONLY REAL

onlylex1
– Shoegazy rap from West London
Catch his set: Thursday @ Brooklyn Bazaar;
Thursday @ Rough Trade

FRANKIE COSMOS
mutualbenefit-21
– Fun and sentimental twee pop from NYC
Catch her set: Friday @ Brooklyn Bazaar


VULTURE SHIT
vs
– Brooklyn sludge punks
Catch their set: Thursday @ Shea Stadium


SLOWDIVE

slow
–Eighties British shoegaze pioneers return after 20 years of silence
Catch their set: (Sold out!) Thursday @ Terminal 5


THE WYTCHES
wytches
– Psych punk from the UK

Catch their set: Wednesday @ (the soon-closing) Glasslands; Thursday @ Baby’s All RightFriday @ Baby’s All Right

OBN IIIS
obn-IIIs
–Garage punk from Austin
Catch their set: Thursday @ Baby’s All Right;
Friday @ Cake Shop


PANEL AND SCREENING HIGHLIGHTS

TODAY:
Ripping off the Band-Aid: Why Feminism Matters in the Music Industry

WEDNESDAY:
The Color of Noise: Amphetamine Reptile Records Documentary with Q&A from director Eric Robel and Haze XXL

THURSDAY:
All Through A Life: Emo’s Revival

& of course, the College Radio Awards!
– Among the nominees for Station of the Year, Promoter of the Year and Best Taste in Music lies Best Community Resource. Check out what we’ve recently done for the Philadelphia community here and vote WKDU!

FRIDAY:
Beautiful Noise: Documentary screening and Q&A with Nick Chaplin and Simon Scott of Slowdive

See you in New York!
dog

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