Tag Archives: Dan Deacon

Interview with Jenn Wasner of Wye Oak (April 25, 2014)

Courtesy of Merge Records

Courtesy of Merge Records

By Nick Stropko

Last week I interviewed Jenn Wasner, one half of the Baltimore-based group Wye Oak. We spoke about side-projects, the state of pop music in 2014, traveling, and the Baltimore music scene. Be sure to check out their excellent new album, Shriek, and look out for them May 5th at Union Transfer.

So, what’s the situation with having a home between various bouts of touring? It seems like it’d be pretty inconsistent…

Well for awhile I didn’t think it was necessary. During the fall for the touring we did for Civilian when we were really, really pushing it, I didn’t actually have a home. That made sense to me on paper, but it actually took a bit of a toll, as you can imagine. Since then, I have moved into a really nice house with a friend of mine–she’s really busy too, she’s a grad student–but we have a really nice house, and we do the best we can to take care of it, but between her schedule and mine…the best we can hope for is that it’s well-preserved. It’s lived in…but on and off, between the two of us. I’d say it’s really important to have a place to live in, even if it’s just for a couple days.

Understandable. A place that’s not a storage unit, anyway.

Exactly, which is what it was, for a little while.

Well, I looked at your tour schedule, and it seems like you’re hitting it pretty hard again.

Yes, but believe it or not, not as hard as we were. This is an improvement. I know, it seems insane but it is not as crazy as it was [during Civilian]. But it’s still a formidable amount. We’ve been on tour since the better part of March and April, and then we have a little bit of time off, and then we’ll be back in March for the better part of May, June and July.

In March, we toured down to SXSW with our good buddies, Future Islands, and then we went to Europe, and we played a bunch of shows over there. We went to Turkey, and a bunch of other places. Then we came back and went to Coachella, and we came back from that, and now we’re about to go on a proper US headlining tour.

I actually lived in Istanbul for a few months, so just for my curiosity, how did you like it there?

It’s the best! Gosh, I had such a great time. We gave ourselves a couple days after the show just to hang out, and I’m really really glad we did–it was absolutely one of the coolest, if not the coolest place, I have ever been.

I actually picked up, like, three phrases, and they all came in great handy for the show. I can’t remember it anymore, but–I learned it about five minutes before the show and then promptly lost it–I learned good evening, because I have a superstition that I have to start every show that I play, assuming that it’s in the evening, by saying “good evening.”

Is it difficult working out the logistics to go somewhere as far as Turkey to play one show? It seems like it would be tough to pay for airfare and things like that with one gig.

It’s tricky for us to fly in general, just because we are two people but we have way more than two people’s worth of stuff. That actually makes it really tough because of baggage restrictions and stuff like that. If we had more physical bodies to distribute the gear amongst it would be easier, but we really don’t. That is the trickiest part. It can be really expensive and really exhausting, because it basically involves me strapping like 100 pounds of shit to my body and grabbing a couple more bags on top of that and working my way through airports and train stations. So it’s no joke, but it’s way worth it. Getting to visit a place like Istanbul–in my wildest dreams as a child I would have never thought I’d find a way to do that. It’s absolutely worth it, it’s just hard work.

You have a new album coming out. It’s excellent, by the way.

Thank you for saying that!

This new album seems to be influenced by some of the stuff you’ve done as Dungeonesse, and maybe to a lesser extent as Flock of Dimes. Do you think there was an overt influence from that, or do you think it just seeped into your subconscious or or writing process?

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Concert Recommendations: Fall 2013

By Nick Stropko

Over the past few months, I’ve been watching an amazing slew local shows being announced for the fall with frustration. You see, dear reader, while Philadelphia is about to have one of the best concert seasons in recent memory, I will be in Istanbul, enjoying the requisite college rite of passage that is study abroad (please, shower me with pity). Despite my infuriating inability to attend any of the following concerts, I have compiled a personal list of must-see shows for this fall.

Kishi Bashi @ First Unitarian Church Sanctuary, September 14 ($15)

Truthfully, I haven’t really given a good listen to Kishi Bashi’s only album, 151a. However, I did have the opportunity to catch him at the Church Basement as part of a WKDU Presents event, and it was stellar. Kishi Bashi creates little string ensembles with a lone violin and a loop pedal, which are combined with soaring vocals and occasional beatboxed vocals (it’s way less obnoxious than it sounds, I promise) to great effect. Throw in some whimsical stage decorations and a charmingly intimate venue, and I expect this to be a great experience.

Vampire Weekend @ The Mann Skyline Stage, September 19 ($35)

Okay, confession: I’m a huge V-Dubs fanboy. Huge. I’ve seen them five or six times, and Modern Vampires of the City is my album of the year right now. This being said, they’re a very tight, consistent band, and I’m very curious to see how much of their new material translates live. There’s really no gimmick here—just excellent songcraft and musicianship (and a steadily increasing touring budget, I suppose).

flaminglips

The Flaming Lips & Tame Impala @ Festival Pier, October 3 ($50–eesh)

A fortuitous pairing, to say the least. I’ve never really associated the psych stalwarts with the fresh faced up-and-comers, but I think the two bands will complement each other quite nicely. While the legendary nature of the Lips’ shows is already well-documented (they do seem to be adding some strange, disturbing elements to go with their dark new album, The Terror), Tame Impala proved to be a pretty excellent live band at their recent Electric Factory gig. I’m already a huge fan of both bands’ material, but I can guarantee that this will be a very entertaining show.

Making Time w/ Fuck Buttons @ Voyeur Nightclub, October 19 ($10)

The new Fuck Buttons album, Slow Focus, is a slice of dark, menacing, bass-heavy goodness. I really want to hear this thing pouring out of some overpowered subwoofers. Paired with Voyeur (possibly the most worthwhile nightclub in Philadelphia) and the fine folks at Making Time, I expect this to be a very, very good time. Be prepared to move.

Animal Collective w/ Dan Deacon @ Union Transfer, October 28 (Sold Out :( )

This one’s already sold out, but it feels worth mentioning. Deacon’s manic energy, channeled through performing in the middle of the crowd, is not something to miss. I guarantee that you will dance, and you will love it. Animal Collective is notoriously spotty in their live performances, often receiving the complaint that their concerts are more about writing new songs live than performing old ones. That being said, apparently they’ve been playing more older stuff lately (they absolutely killed Peacebone when I saw them at the Mann a few months back), and I think the energy is going to be incredible. A second date has been announced sans Dan Deacon, which should also be cool, but if you can somehow manage to get into this show…do it.

Man Man @ Union Transfer, October 30-31 ($20)

Oh my god. Go to this. Go to this. I can only imagine what kind of hijinks Man Man have planned for back-to-back hometown Halloween shows. The band has put on some of the most entertaining live performances I have ever seen, and I fully expect this to surpass any previous shows of theirs. This one will be special.

Basia Bulat @ The Boot & Saddle, November 20 ($10)

I first encountered Basia as an opening act for Beirut at the Electric Factory last year. She’s an incredibly charming and talented folk artist who plays a variety of instruments, including a weird autoharp thing. It’s cool. Anyway, if you’re looking for an excuse to check out R5’s newest venue, this would definitely be it—warm music to provide respite from November’s cold.

All this being said, I’m just thankful that I’ll be here for Neutral Milk Hotel.

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