Week in Review–August 13-17

 

The week of August 13th was overwhelmingly busy from a music lover’s perspective. While every week contains a multitude of new releases and announcements of new music, this week was a dream for any fan in the indie and underground music world. In case you happened to miss anything, we’ve compiled a review of last week’s most relevant announcements and drops. Our review spans multiple genres and scenes, so chances are, you’ll find something new that you can bop to. Check it out below.

Album Releases

mewithoutYou – Untitled EP
Mitski – Be The Cowboy
Trevor Powers – Mulberry Violence

Album Announcements

Cloud Nothings – Last Building Burning (October 19, 2018)
Daughters – You Won’t Get What You Want (October 26, 2018)
Ian Sweet – Crush Crusher (October 26, 2018)
It Looks Sad – Sky Lake (November 2, 2018)
Justus Proffit and Jay Som – Nobody’s Changed EP (September 28, 2018)
mewithoutYou – Untitled LP (October 5, 2018)
Saves The Day – 9 (October 26, 2018)
Say Anything – Oliver Appropriate (October 12, 2018)
Young Jesus – The Whole Thing Is Just There (October 12, 2018)

Song Premiers

Bosse De Nage – “My Shroud”
Cloud Nothings – “The Echo Of The World”
Daughters – “The Reason They Hate Me” 
The Field – “Who Goes There”
Fucked Up – “Normal People”
It Looks Sad – “Light”
Ian Sweet – “Hiding”
Joyce Manor – “Think I’m Still In Love With You”
Lonely Parade – “Olive Green”
Low – “Disarray” 
Madeline Kenney – “Overhead”
mewithoutYou – “Julia (or ‘Holy To The Lord’ On The Bells Of Horses)”
Saintseneca – “Beast In The Garden”
Saves The Day – “Rendezvous”
Say Anything – “Daze”
Swearin’ – “Untitled (LA)”
The Spirit Of The Beehive – “D.O.U.B.I.E.U.R.O.N.G”
Young Jesus – “Deterritory”

Chattin’ with Deeper Kenz (100% Silk)

Our friend & anonymous producer Deeper Kenz just put out a fantastic tape on the always-excellent LA-based label 100% Silk. They put together a disco-laced mix for us and we chatted about wandering, relationships, and of course, Kensington.

Peep the mix & our discussion below:

KDU: Where did the Deeper Kenz alias come from?

Deeper Kenz: The name of the project was meant simply to pay homage to the place in which the music was made. I first moved to Kensington in 2007 and was 19 at the time. I feel like I became an adult there. I owe a lot to the neighborhood and its different residents.

KDU: How did Philadelphia influence the sound of this tape?

Deeper Kenz: The Sound of Philadelphia is a wonderfully dense landscape and so many parts of it have affected me deeply- the city’s towering contributions to Soul, Disco, and Hip hop, the Experimental and Noise music communities of which I was a peripheral part, the Saturdays of Caribbean music on WKDU, the talented people I DJ’d with at clubs and parties, the dancers there- I felt so connected to and inspired by all of this while I was working on the tracks that would end up on the tape. I spent so many hours wandering around the city but I was always most attached to Kensington. The track names were an attempt to create a map of some of the details of the area that were most important to me.

KDU: Were there any artistic influences that went into Deeper Kenz?

Deeper Kenz: I was obsessively digging for Techno, House, Disco, Funk, and Soul tunes at the time I was working on these, so I’m sure I was fully processing my education. I also was trying to make music I could play out Djing and would fit in the context of my sets. I was also inspired by the personal relationships I had at the time and the inexhaustible current of music flowing through so many of them. I hope the gratitude I feel shows in the music.

KDU: How did you get involved with 100% Silk?

Deeper Kenz: I got in touch with 100% Silk through some mutual friends- Britt Brown had written a review of another project of mine and we first began corresponding about that. He was interested when I told him I had some music that sounded vaguely appropriate for the label and I was ecstatic when they agreed to release it. I hadn’t exactly intended for these recordings to come out- they were just for myself and my friends. All this comes as a pleasant surprise.

KDU: What is your favorite food and/or drink to eat before or after hittin tha club?

Deeper Kenz: Ha- thanks to everyone at W/N W/N who fed me whether I asked for it or not.

Pour yourself a nice covfefe & enjoy the full Deeper Kenz tape here.

Album Review: Great Thunder & Radiator Hospital Wedding Album

 

 

In March of 2014, I saw Radiator Hospital play for the first time. It was at a coffee shop in University City, and free donuts were given out for someone’s birthday. Try the Pie played one of her first shows, Crabapple played one of their last, and Sam Cook-Parrot’s band Radiator Hospital closed out the night. Stupid Bag Records honcho & RH drummer Jeff Bolt was selling tapes, so I picked up a copy of Great Thunder’s Strange Kicks EP, the only tape I ever bought.

I listened to Strange Kicks a lot after that. It even included a Mazzy Star cover. Great Thunder was Keith Spencer (of Swearin’) and Katie Crutchfield (of Waxahatchee), often noted as KS and KC. With Waxahatchee taking off and the years passing by, the lineup of Great Thunder has become a little less clear; one bio simply says “K and an ever changing line-up of incredibly talented people.”  Naturally, Great Thunder & Radiator Hospital have been tied ever since. Imagine my excitement when Stupid Bag, back in May of 2015, noted that a Great Thunder & Radiator Hospital split LP was on its way. I’d been waiting ever since, unsure of what to expect.

A few weeks ago, The Wedding Album finally arrived. There were some updated old songs, new songs, covers, and collaborations. Great Thunder’s side came first, and started off with a couple of originals. KS & KC were both singing – the GT I knew. “I Was Fine Before” originally appeared on Sounds of Great Thunder, but is revamped three times the length. “I Can’t See the Sun” is the catchiest song of the year, and in a surprising twist, the light-hearted RH song “Big Cloud” is covered with professional production. The next song eventually revealed itself as a dark, sludgy version of RH’s “Sleeping House”. The sounds of Great Thunder embody many different textures, after all.

Radiator Hospital kicks off Side B with “Parting Glances”, from his split with Fred Thomas. It has much more percussion than typical RH songs and the whole side has a softer touch to it. Cook-Parrot’s regular bandmates are absent from this recording, so the quick pace of Torch Song falls away as well. “Old Me” is a new song, with a vocal cameo by KS, followed by KC helping out on “Waiting for You to Come Around”, a Strange Kicks highlight. “Singer’s No Star” is one of GT’s best songs, and Crutchfield join’s Cook-Parrot in a beautiful rendition. The Wedding Album closes with the devastating “Absent Year”. Cook-Parrot reminds us that he writes the best ballads, and Crutchfield has a wonderful verse, before he tears the song back. “And I’ve been waiting for so long / Oh I don’t want you to be gone / If you wanted me to dance / Why didn’t you say so?”

The Great Thunder & Radiator Hospital Wedding Album is one of the best of 2016; a truly special collaboration between three of Philadelphia finest musicians.  Projects like this are often done for fun, but this is a fully realized piece of art. It was recorded in 2014, and while the wait was long, it was more than worth it. Listen to the album, and trace its roots for an even deeper experience.

Josh Wink talks work/life balance, Philly nightlife history

Ovum’s Very Own, Josh Wink

It’s a brisk fall afternoon when I meet up with Josh Wink at Northern Liberties record store Profond Music N Art. Josh has just arrived back from finishing an acclaimed summer residency in Ibiza and is helping organize his son’s birthday party before heading out to Amsterdam the next night.

“My son is four, so I’m still new to being a parent, and there’s all these things I try to balance: being a father and a partner to my wife, being ‘just Josh’ to the people I know from the neighborhood and community gardens, and then being Josh Wink the artist. Finding time to do other things is difficult, but there’s something nice and humble about being here in Philly. I like riding my bike places, I don’t have a car.”

This year marks the twentieth anniversary of Josh’s game-changing anthem “Higher State of Consciousness”, the first instrumental record to ever enter the UK’s top 15 national chart twice in one year. The track burst him onto the international scene and became heavily engrained with the first wave of pre-EDM stadium-packing electronic music that took the US and Europe by storm in the ‘90s.

Josh co-hosted a show on WKDU in the 90s called Rave FM, so you know we had to get him to do a station ID for us!

Making Time History with Dave P

Last week, we had the honor and pleasure of hosting the ever-RAD Dave P in our studios to help him celebrate FIFTEEN YEARS of legendary Making Time parties. Our station actually goes way back with Dave, as he made his FIRST EVER RADio appearance on WKDU to promote the VERY FIRST Making Time in 2000.

Movement Detroit 2015 – Day 2 Photo Recap

Photos: Peter Liu, Words: Chris Burrell

Movement Day 2 was a ton of fun and was filled with so many amazing musical moments. The fun for us began when we met up with our Philly buddy Josh Wink at the main stage at 6 pm. Above, we’ve got DJ friends Jackie Gallagher and Tommy Hogunz posing “215” with Josh – always gotta represent!

Josh had the eager Detroit crowd in an afternoon fit, working through a feverish medley of songs from his catalog, including “Don’t Laugh”, “Are You There” (Ben Klock’s Remix), his newest track “Denial” (which Dixon played the day before, also on the main stage), a different (perhaps forthcoming!?) mix of “Talking To You”, then closed out with a heavy remix of “Higher State of Consciousness”.

Starkey & Dev79 on their “anti-genre” STREET BASS

Two of Philadelphia’s electronic music veterans, Starkey and Dev79, came to the WKDU studio and spun a killer guest mix last Thursday. We recorded the mix and the guys posted it up for you to listen back. In between turns mixing, I got a chance to chat with the DJ/producers/label bosses about their history in Philadelphia’s electronic music scene.