Photo courtesy of music.topman.com.
By Victoria Powell
We had the chance to speak with Thomas Warmsley, the bass player and co-founding member of what has been called the best new band in England. Temples have left their home in Kettering, England to come tour the U.S. and they recently played here at Kung Fu Necktie on November 3rd.
VP: Are you having fun in America? Have you been here before?
TW: Yea, it’s the first time any of us have played music in America. In England it’s quite a landmark thing to come over to the states and play. Yea, it’s been quite a special trip, I guess, to come out here and do that. I think every venue has its own atmosphere and every country has its own kind of way of doing things, and different audiences. It’s really exciting and we’re having a great time; taking it all in.
VP: What do you miss about your home?
TW: I don’t know, I mean when you go on tour you kind of expect to leave all of your home comforts behind. I think we all enjoy the fact that we’re not home in Kettering, where we all live. It’s kind of like a world away from where we’re from. I think we kind of embrace the fact that it’s a little bit alien and different. It’s all part of the trip really.
VP: Who is your all time favorite producer and why?
TW: (laughs) Tricky question, because we have so many… I don’t know, I mean Phil Spector for us is such a big name and his whole style and way of doing things in the studio is kind of a real institution. He has such a signature sound – signature meaning the reverb and other elements. It kind of takes it away from being familiar, in terms of sound.
Jack Nitzsche as well, I guess he falls under the Phil Spector umbrella. I think between the two of them, they had something really special.
He worked with The Rolling Stones, the orchestrations on there and their records. He always worked very closely with the artists he was recording with. He played on the record as well and having that kind of involvement blurs the line between artist and producer. Most of us in Temples think it’s very important to embrace both because we are fans of producers as well as bands and artists.
VP: What artists have you been listening to lately?
TW: Umm, yea well we listen to quite a lot.
VP: Well what about in the past few days?
TW: We’ve been listening to Atom Heart Mother, the Pink Floyd album, if you know that one. And there’s a band that just released a single, they’re called Telegram. We’ve been touring with them in England and they have a song called “Follow,” which is their debut single. Since we’ve toured with them we’ve had the pleasure of getting to listen to them every night. We’re really big fans of what they’re doing. So I guess that’s one old and one new?
VP: What is your musical guilty pleasure?
TW: I guess, film soundtracks are always a strange one that people either love or hate. We really enjoy listening to some kind of more cinematic sounding music. We try to play our music so that it kind of transposes visually. And like, Ennio Morricone, he does soundtracks. Oh and like Goblin, as well, they’re like an Italian prog band that did some soundtracks in the seventies as well. It’s kind of slightly weird and you know that’s a little bit different from your normal rock band.
VP: Who would be your dream collaboration?
TW: Well we’re from the Midlands and not too far away in a place called Rugby is where Sonic Boom from Spacemen 3 is based. And yea, we’re all really big fans of Spacemen 3 and Spectrum. He has his own studio as well. He creates some really interesting sounds in the studio and we’d like to, one day, perhaps, collaborate with him. Peter Kember is his name, but his nickname is Sonic Boom. But yea, really spacey and almost like soundscape and noise. There’s something quite simple and charming about his recordings.
VP: In your song “Shelter Song,” the lyrics mention reading poetry aloud; who are your favorite poets?
TW: James wrote the lyrics… but yea William Blake is great, if you like reading and stuff. I think it is part of your admission into music that deals with consciousness, that you read, “The Doors of Perception” and “Heaven and Hell”.
VP: How do you prepare yourself for a live show? Any weird rituals?
TW: (laughs) Not especially. I’m kind of torn between just saying anything; making something up, and just being honest. We always sing as much possible and do three part harmonies. We like to sing some songs by The Byrds and we usually fight over who sings David Crosby’s harmony. That’s always the best.
VP: I was wondering just now, have you ever tried meditation?
TW: Um, not yet. I think we all kind of meditate in our own way. That’s not meditating explicitly but yea. I think you have to be in the right mindset when you go on stage and stuff, so I think everyone has their own way, perhaps, of meditating.
VP: What’s coming up in the future for Temples?
TW: We just announced that we will be releasing our album, Sun Structures, in February. I think it’s February the 10th. We announced it online yesterday actually, so it’s really excited for us. All this year we’ve been recording in between touring, and it’s great to finally have a record. So that’s in February. And I think we’re coming back over to the states again in like March or April as well, so we’re really looking forward to coming back over here once the album’s been released. We can’t wait for everyone to hear it, since everyone’s only heard the singles and what’s online. It will be great for everyone to hear the full spectrum of music that we play.
Check out Temples on Facebook here.