Crispy Chris’s Top 10 Electronic Chart

By Chris Burrell

Guys, I’ve never done a chart before, so consider this my chart cherry! These are 10 tracks that have frequently found their way into my recent mixes and general listening. Some of these tracks are built squarely for the club, some are more for headphones, some are new, and some have been out there a while, but all are good. No particular order.

Canblaster – I Think About U (Marble)

A flat out just good song – I wish it were longer! Brodinski said it was his favorite song of 2013. The song opens up with a looping, “I don’t know what I was thinking about most of the time…” while a heavenly beat builds. Can you guess what they were thinking about?

Jamie Lidell – You Naked (Crackboy Remix) (Warp)

I picked up this track from a pink 12” of remixes at Princeton Record Exchange and was hype to see that the seldom releasing Crackboy was one of the remixers on it. The elusive French producer tweaks Lidell’s amazing voice around one hook, and builds a monstrous swinging beat for a slamming good time. What’s even cooler is that I can’t find this track anywhere digitally (this video has like 500 views) – viva vinyl.

Moderat – Bad Kingdom (Head High Remix) (50Weapons)

I had no clue who Head High is (later figured out that it’s one of the many aliases of German producer Shed), but I trust Modeselektor & their 50Weapons imprint, so no surprise that this is a damn good remix. The vocals haunt throughout the chugging drum-heavy track: “This is not what you wanted, nor what you had in mind…”

Four Tet – Buchla (Text)

I love the new Four Tet album, and this is definitely a standout track from it for me. The beat is super raw and bumps, but then it gets all soft and melodic before going back in. Four Tet’s always been the king of samples and interesting music; this one makes me dance more than chin scratch.

Paul Johnson – Let Me See You Butterfly (DJ Deeon Remix) (Mr Kim’s Records)

I’ve definitely fallen victim to the recent resurgence in legendary Chicago house label Dance Mania (a retrospective compilation on the label just came out), and that victimization led me to this amazing track. Take everything that’s great about ghetto house: fast paced beating drums and bass, dirty vocals, raw energy, and then add in a super melodic beat flip, and BOOM – you have this track. DJ Deeon definitely shows his depth as a producer on this remix, I play it both faster and slower in mixes – really whenever I can.

Duck Sauce – Party In Me (Fool’s Gold)

Duck Sauce’s funky, fresh, and simple songs tend to come out as the weather gets warm, and give me all kinds of reasons to smile. This track was released for free as part of the duo’s “Duck Droppings” EP, preceding their first album “Quack”, out on April 15th. All of the tracks are great, and lean wonderfully on samples (look them up), but this track is so damn catchy, and I find myself playing it on loop all the time.

Sammy Bananas – Flexin (Fool’s Gold)

Once you listen to this track, the cover for this very solid EP (Mr. Flex: a banana with a mustache, sunglasses, and biceps) makes total sense. Long time label affiliate Sammy Bananas melds dance-y futuristic and vintage sounds for a party starting results. This track hits with just the right amount of horns, blips, and sleaze.

Jessie Rose – Love the Feeling High (feat. Ed Weathers) (Play It Down)

A great recent example of using speeches/dialogue/spoken word over a house beat. The beat is funky and simple, and then a male storyteller is added over top, hilariously recounting a crazy trip at a warehouse party with “kids that are way more turnt up than me.” Play It Down, the label Jessie Rose runs, has had a string of great releases, and his new album “The Whole Twelve Inches” (which this track is a part of) and all of its remixes, definitely should continue the label’s strong momentum well into 2014.

Aden – Whip (Jimmy Edgar Remix) (Ultramajic)

I was in a hotel room in India listening to Claude VonStroke’s Essential Mix, and he started his mix off with this track. I had only heard the original up until that point (which is a bomb), and I could have picked almost any of the tracks from the young Ultramajic label for this list, but this remix from label boss Jimmy Edgar is particularly doing it for me and has a poignant memory attached to it. Edgar has been on fire lately, turning everything he touches into drummed out techno bliss; I definitely look forward to more from him and his label this year.

Jeremih – F U All The Time (Akito’s Clap Trap Ice Rink Bootleg) (Bootleg)

I love the original of this song, but was looking for just the right remix of it to use in mixes. A little SoundCloud digging later, I came across this free download, whose genre is listed as “Porn Groove”. The original of this is super hypnotic and weird, and this bootleg cleverly blends the instrumental of UK Grime artist Wiley’s “Ice Rink”, making it more of a DJ tool, and still keeping the weird of the original.

 

Peep some of these tracks on the Halfway House, Thursdays 10pm-12, and tweet @ me, bro @CrispyChrisX

Advertisements

Preview: Jack Deezl and Aaron Ruxbin Live @ WKDU (2/20/14)

Jack Deezl &Aaron Ruxbin
Jack Deezl & Aaron Ruxbin

By Chris Burrell

Drexel Alumni Jack Deezl and Aaron Ruxbin approach the craft of DJing from two extremely different angles, but both coalesce at the intersection of passion and obstinacy. Refusing to succumb to the pressures of conformity both within the stigma and equipment typically associated with being a popular disc jockey, these men find themselves on the polar opposite spectrum of what defines DJing: one playing only vinyl records, the other [mostly] originals. One pure analog preservation, the other digitally manipulated live. The unifying factor being an emphasis on challenging the listeners expectations, advancing an amalgamation of sounds new and old, and digging for the deepest cuts; whether unearthed from years ago or synthesized earlier today. You won’t hear any top 40 in these sets, but you will hear something brand new, every time, guaranteed. Two special live in-studio sets from across the sonic spectrum. Put on your thinking caps and lay out your disco pants, Jack Deezl and Aaron Ruxbin are going VAHN DEEEEPEEERRRR!

Jack Deezl and Aaron Ruxbin will be performing with RJD2 at Union Transfer on February 21. Tune in to The Halfway House on February 20th to catch their Live @ WKDU session.

Claude VonStroke talks Dirtybird, Diplo, and Playing Shows Sans Bass

Courtesy of Sumi Management
Courtesy of Sumi Management

By Chris Burrell

Amidst a crazy tour schedule, I was able to get some time on the phone with one of my DJ / producer idols: Dirtybird label boss, Barclay Crenshaw, better known as Claude VonStroke.

CB: Mr. Crenshaw, I’m a huge fan, spin your stuff all the time on air, and I know you’re busy – thanks for you taking the time out to do this call.

CVS: Thank you, no problem.

CB: So you’re on tour now, but you have the night off tonight, is that correct?

CVS: I do, yes, kind of (chuckles).

CB: So you have the night off doing phone interviews and stuff like that, are you on a tour bus in the middle of nowhere?

CVS: No, I’m at home.

CB: Oh okay, and where is home for you these days? LA or San Francisco?

CVS: I’m in LA right now.

CB: OK cool, well how’s the tour been so far?

CVS: It’s been really great.

CB: I follow you on Twitter, and I’ve seen that perhaps you and J Phlip are doing T 25 to stay active on the tour bus?

CVS: (laughs) I am, she’s not!

CB: She’s a sick DJ, how’s she been received as the opening act?

CVS: Great, I think she’s done really well on this tour. Trying to get her on the Europe tour.

CB: I read somewhere that you don’t have a tour manager per se.

CVS: No we don’t, we don’t have a tour manager. I haven’t had one for 10 years.

CB: Have you had any interesting situations on this tour so far?

CVS: Yeah, there was like no bass for like 30 minutes in Denver.

CB: Oh shit! How does the Dirtybird sound go without the bass?

Continue reading “Claude VonStroke talks Dirtybird, Diplo, and Playing Shows Sans Bass”

Dance Sounds From The Underground – Part 1

By Chris Burrell

Untz, untz, untz, untz…

It’s been nearly impossible to ignore the proliferation of dance music in America over the past few years.

For better or worse, the massive commercial success of EDM has elevated the DJ to rock star status and spawned quite a polarizing dialogue about the state of dance music in the US. While some of this success has given America a bad rap in the dance community (re: Paris Hilton, Pauly D, Molly), let us not forget that before EDM was a ubiquitous acronym, Chicago and Detroit birthed house and techno music respectively.

Regardless of your stance on the uptick of neon-clad sunglasses at night fist pumpers, it’s hard to argue that the bright spotlight on dance music has afforded some highly talented artists an avenue to reach a much wider audience than ever before. With now household names such as Fool’s Gold, Mad Decent, Brainfeeder, DFA, and Ghostly having been major innovators in a variety of dance scenes for years, this blog-o-series serves to give a little shine to some lesser-known ‘Merican labels that are seriously holding it down.

From Brooklyn to LA and Detroit to Miami, stay tuned to this space for the 411 on the American dance music underground through the lens of its most excellent labels. The first post in this series highlights two fantastic and extremely diverse vinyl focused labels from the left and right coasts.

Also, check out the Rhythm Method on Thursday nights from 9-11 PM EST to hear some of these releases being spun on the airwaves by yours truly, @CrispyChrisX.

Continue reading “Dance Sounds From The Underground – Part 1”