Top Played Artists 5/19-5/23

1 MAC DEMARCO: Salad Days
2 CLOUD NOTHINGS: Here And Nowhere Else
3 TWEENS: Tweens
4 MENZINGERS: Rented World
5 GUIDED BY VOICES: Cool Planet
6 WYE OAK: Shriek
7 ST. VINCENT: St. Vincent
8 CHAD VANGAALEN: Shrink Dust
9 PINK MOUNTAINTOPS: Get Back
10 THEE OH SEES: Drop
11 ONLY REAL: Cadillac Girl [EP]
12 CHEAP GIRLS: Famous Graves
13 DAMON ALBARN: Everyday Robots
14 CHET FAKER: Built On Glass
15 JESSICA LEA MAYFIELD: Make My Head Sing
16 S. CAREY: Range Of Light
17 MO: No Mythologies To Follow
18 SYLVAN ESSO: Sylvan Esso
19 CHEATAHS: Cheatahs
20 BLEEDING RAINBOW: Interrupt
21 CHROMEO: White Women
22 BLACK LIPS: Underneath The Rainbow
23 SEAHAVEN: Reverie Lagoon: Music For Escapism Only
24 LIARS: Mess
25 TUNE-YARDS: Nikki Nack
26 KISHI BASHI: Lightght
27 TYCHO: Awake
28 AVA LUNA: Electric Balloon
29 PROTOMARTYR: Under Color Of Official Right
30 OWLS: Two

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Top Played Artists 5/12-5/19

1 FUTURE ISLANDS: Singles
2 MAC DEMARCO: Salad Days
3 AVEY TARE’S SLASHER FLICKS: Enter The Slasher House
4 CLOUD NOTHINGS: Here And Nowhere Else
5 TWEENS: Tweens
6 WYE OAK: Shriek
7 CHET FAKER: Built On Glass
8 PINK MOUNTAINTOPS: Get Back
9 ST. VINCENT: St. Vincent
10 THEE OH SEES: Drop
11 ONLY REAL: Cadillac Girl [EP]
12 MENZINGERS: Rented World
13 DAMON ALBARN: Everyday Robots
14 BLEEDING RAINBOW: Interrupt
15 S. CAREY: Range Of Light
16 JESSICA LEA MAYFIELD: Make My Head Sing
17 Mø: No Mythologies To Follow
18 TACOCAT: NVM
19 CHEATAHS: Cheatahs
20 CHEAP GIRLS: Famous Graves
21 CHROMEO: White Women
22 BLACK LIPS: Underneath The Rainbow
23 SEAHAVEN: Reverie Lagoon: Music For Escapism Only
24 LIARS: Mess
25 SYLVAN ESSO: Sylvan Esso
26 CHAD VANGAALEN: Shrink Dust
27 TYCHO: Awake
28 AVA LUNA: Electric Balloon
29 PROTOMARTYR: Under Color Of Official Right
30 OWLS: Two

Interview with Jenn Wasner of Wye Oak (April 25, 2014)

Courtesy of Merge Records
Courtesy of Merge Records

By Nick Stropko

Last week I interviewed Jenn Wasner, one half of the Baltimore-based group Wye Oak. We spoke about side-projects, the state of pop music in 2014, traveling, and the Baltimore music scene. Be sure to check out their excellent new album, Shriek, and look out for them May 5th at Union Transfer.

So, what’s the situation with having a home between various bouts of touring? It seems like it’d be pretty inconsistent…

Well for awhile I didn’t think it was necessary. During the fall for the touring we did for Civilian when we were really, really pushing it, I didn’t actually have a home. That made sense to me on paper, but it actually took a bit of a toll, as you can imagine. Since then, I have moved into a really nice house with a friend of mine–she’s really busy too, she’s a grad student–but we have a really nice house, and we do the best we can to take care of it, but between her schedule and mine…the best we can hope for is that it’s well-preserved. It’s lived in…but on and off, between the two of us. I’d say it’s really important to have a place to live in, even if it’s just for a couple days.

Understandable. A place that’s not a storage unit, anyway.

Exactly, which is what it was, for a little while.

Well, I looked at your tour schedule, and it seems like you’re hitting it pretty hard again.

Yes, but believe it or not, not as hard as we were. This is an improvement. I know, it seems insane but it is not as crazy as it was [during Civilian]. But it’s still a formidable amount. We’ve been on tour since the better part of March and April, and then we have a little bit of time off, and then we’ll be back in March for the better part of May, June and July.

In March, we toured down to SXSW with our good buddies, Future Islands, and then we went to Europe, and we played a bunch of shows over there. We went to Turkey, and a bunch of other places. Then we came back and went to Coachella, and we came back from that, and now we’re about to go on a proper US headlining tour.

I actually lived in Istanbul for a few months, so just for my curiosity, how did you like it there?

It’s the best! Gosh, I had such a great time. We gave ourselves a couple days after the show just to hang out, and I’m really really glad we did–it was absolutely one of the coolest, if not the coolest place, I have ever been.

I actually picked up, like, three phrases, and they all came in great handy for the show. I can’t remember it anymore, but–I learned it about five minutes before the show and then promptly lost it–I learned good evening, because I have a superstition that I have to start every show that I play, assuming that it’s in the evening, by saying “good evening.”

Is it difficult working out the logistics to go somewhere as far as Turkey to play one show? It seems like it would be tough to pay for airfare and things like that with one gig.

It’s tricky for us to fly in general, just because we are two people but we have way more than two people’s worth of stuff. That actually makes it really tough because of baggage restrictions and stuff like that. If we had more physical bodies to distribute the gear amongst it would be easier, but we really don’t. That is the trickiest part. It can be really expensive and really exhausting, because it basically involves me strapping like 100 pounds of shit to my body and grabbing a couple more bags on top of that and working my way through airports and train stations. So it’s no joke, but it’s way worth it. Getting to visit a place like Istanbul–in my wildest dreams as a child I would have never thought I’d find a way to do that. It’s absolutely worth it, it’s just hard work.

You have a new album coming out. It’s excellent, by the way.

Thank you for saying that!

This new album seems to be influenced by some of the stuff you’ve done as Dungeonesse, and maybe to a lesser extent as Flock of Dimes. Do you think there was an overt influence from that, or do you think it just seeped into your subconscious or or writing process?

Continue reading “Interview with Jenn Wasner of Wye Oak (April 25, 2014)”