Off the Shelf–WIDE AWAKE! by Parquet Courts

A quick preface from the editor:

At WKDU we receive new music every week from a huge variety of labels. We keep all of our new releases in our main control room (the room out of which our DJs do their thing) on our “New Music Shelf”.  Our DJs pull from this shelf quite often, because our goal is to serve you the freshest underground cuts–FDA certified 100% organic, grass-fed, farm to table, FRESH. With “Off the Shelf”, our goal is to dive deeper than ever into our “New Music Shelf” favorites, and to share our thoughts with our community. Here’s hoping we inspire you to check out something NEW.

Wide Awake

By Matt Squires

Parquet Courts’ new album, Wide Awake!, is a diverse collection of raw rock and rolls sounds, familiar to the American ear, yet unique and refreshing. The production is minimalistic, to focus the listener on the melodic and rhythmic aspects of the songs, which are undeniably catchy. The vocals are raw with minor imperfections as if performed in a live setting.

“Total Football” kicks off the album with a classic rock style sharp slow chord progression. Soon the beat speeds up and the bass riff kicks, forcing the listener to bounce back and forth, a feeling used many times on this album including, “Almost Had to Start a Fight/In and Out of Patience” and “Extinction”. Growly vocals are introduced, seemingly untrained and raw, their voices fit the aesthetic perfectly. This riveting intro song ends like the streets of Philadelphia after the 2018 super bowl, “F___ Tom Brady!!”.

“Violence” shows the more serious side of this album. Smooth groovy rhythms and catchy riffs over a yelling monologue until coming in with the chorus “violence is daily life.” Parquet Courts makes their way around the genre spectrum while maintaining the same production aesthetic with the slowed jam, “before the water gets too high”.  The repeating riff is memorizing and the organ-sounding synth chords hold the song together.

Next stop on this journey is a flashback to 90s alternative rock. Sounding like Pavements “Range Life”, “Mardi Gras Beads” takes the album to very familiar place. The smooth lush reverb-filled verse contrasts with the rigid power chords that come in the chorus creating a rich texture. “Almost had to start a fight” channels the bands Proto-Punk aesthetic with riffs sounding like MC5, the vocals match the rhythm to create a concrete, energetic jam. Merging into “In and out of Patience” with the phrase “If it stops i’m having a bad dream”, the pattern changes, putting another involuntary step in the foot of the listener.

The aptly named, “Freebird 2”, lives up to its name talking about drugs and getting older with pentatonic blues scales. The title song, “Wide Awake” combines a groovy bass riff with a dance party vibe. The use of Auxiliary percussion on this track makes it stand out from the others. A straight rhythm blues jam ends the album out with a piano melody doubling the vocals, making for an upbeat vibe. The chord progression is a mixture of simple chords and unusually dissonant chords that give an excellent texture to this familiar groove.

Parquet Courts have maintained their progressive classic rock style. Innovative yet so familiar and easy to latch on to, this album is an instant classic filled with songs that capture the last 50 years of rock music. 

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Week in Review–August 13-17

The week of August 13th was overwhelmingly busy from a music lover’s perspective. While every week contains a multitude of new releases and announcements of new music, this week was a dream for any fan in the indie and underground music world. In case you happened to miss anything, we’ve compiled a review of last […]

13th

 

The week of August 13th was overwhelmingly busy from a music lover’s perspective. While every week contains a multitude of new releases and announcements of new music, this week was a dream for any fan in the indie and underground music world. In case you happened to miss anything, we’ve compiled a review of last week’s most relevant announcements and drops. Our review spans multiple genres and scenes, so chances are, you’ll find something new that you can bop to. Check it out below.

Album Releases

mewithoutYou – Untitled EP
Mitski – Be The Cowboy
Trevor Powers – Mulberry Violence

Album Announcements

Cloud Nothings – Last Building Burning (October 19, 2018)
Daughters – You Won’t Get What You Want (October 26, 2018)
Ian Sweet – Crush Crusher (October 26, 2018)
It Looks Sad – Sky Lake (November 2, 2018)
Justus Proffit and Jay Som – Nobody’s Changed EP (September 28, 2018)
mewithoutYou – Untitled LP (October 5, 2018)
Saves The Day – 9 (October 26, 2018)
Say Anything – Oliver Appropriate (October 12, 2018)
Young Jesus – The Whole Thing Is Just There (October 12, 2018)

Song Premiers

Bosse De Nage – “My Shroud”
Cloud Nothings – “The Echo Of The World”
Daughters – “The Reason They Hate Me” 
The Field – “Who Goes There”
Fucked Up – “Normal People”
It Looks Sad – “Light”
Ian Sweet – “Hiding”
Joyce Manor – “Think I’m Still In Love With You”
Lonely Parade – “Olive Green”
Low – “Disarray” 
Madeline Kenney – “Overhead”
mewithoutYou – “Julia (or ‘Holy To The Lord’ On The Bells Of Horses)”
Saintseneca – “Beast In The Garden”
Saves The Day – “Rendezvous”
Say Anything – “Daze”
Swearin’ – “Untitled (LA)”
The Spirit Of The Beehive – “D.O.U.B.I.E.U.R.O.N.G”
Young Jesus – “Deterritory”

OSHUN in West Philly

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Photo via Oshuniverse.com

On Saturday the thirteenth of January , Niambi and Thandiwe Sala and producer/DJ, Proda, walked in succession down the back stairs of a West Philly basement, to the front of an eager crowd. like foreign envoys Back in 2015 in an interview with Complex, the two explained that Oshun is the Yoruban deity after whom the project is named. “A West African, traditional deity, she’s a goddess, and she governs over sweet waters.” She’s a mother of love, fertility, wealth and diplomacy”.

Their presence expressed this vividly. From the time they walked towards the stage, until they took photos and thanked their fans after the conclusion, the air was full of love. Afrofuturism stands as the core value and inspiration for the group’s art. In fact, “love for [their] people and for serving and enlightening their people” is what brought the two together, when they first formed Oshun back in the freshman dorms at NYU. On Saturday these philosophies spread through the venue like a spell. In an audience comprised of primarily black/brown persons, the occasion was best described by Oshun themselves; a celebration.

The two wore matching camo jumpsuits, bronze crowns, and bronze tops which swirled over their bodies in winding patterns. Once the “takeoff sound” (a glittery, space-sound like something that would come from The Powerpuff Girls) was played, the beginning of a collective voyage into the “Oshuniverse” began. They began with a few track off of their upcoming series Bittersweet, before moving to songs from AFAHYE and ASASE YAA. With “Parts”, the two wielded a kind of sweet but powerful energy throughout the crowd. From the delicate emotional depths of Sango, to more energetic and beat driven tracks like “Blessings on Blessings”, they proved that every track in the discography is drenched in meaning. Their defiance and strength was expressed through sweetness and love; a testament to the paradoxical spectrum of a narrative which is too often flattened in our society.

With standout tracks like “Not my President”, both showcased their gifts for vocal improve, sounding better, and hitting runs more impressive than those than their recordings. The track included metal-inspired guitar riffs to replace the more jazz-like trumpet solo featured at the end of the original recording. As many genres as Oshun fits together in their music, producer Proda managed spread this idea throughout the set to add more energy to the performance.

Now that Niambi and Thandiwe are graduated from school, they have been able to create their album series Bittersweet, and embark on a two-month tour throughout Canada and the United States. A sort of Neosoul/Hip-Hop infusion, their music draws heavily on reggae, and multiplicitous forms of traditional African/root music. Mixing these sounds with progressive production and otherworldly sound effects/design, the Oshun’s art ends up somewhat like an enormously expensive musical history lesson/divination session. The two frequently express the spiritual nature of their goals and purpose in interviews and press. At their West Philly performance on Saturday they brought a message of peace and healing to a well deserving crowd.

King Gizzard & the Lizard Wizard play Underground Arts this Sunday

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Still from “The River” music video

King Gizzard & the Lizard Wizard shows are sacred experiences. And if you’ve yet to attend one, now’s your chance. The seven of them will play Underground Arts on Sunday night (5/15/16) in support of their new album Nonagon Infinity– an album intended to be played in a continuous loop. Probably one of the most unpredictable bands out there right now, King Gizzard treats each album as its own conceptual piece. On Nonagon Infinity, each song flows into the next, including the last track back into the first, creating a never-ending circle of psych.

Accompanying them will be Philly’s own Mercury Girls and Melbourne’s The Murlocs.

While consisting of members of King Gizz, The Murlocs have a bit more of a melodic, folk-rock grounding. Stu Mackenzie (lead guitar/vocals of King Gizz) produced their latest album and second full length LP, released this March on Flightless Records and titled Young Blindness.

Mercury Girls (members of Literature and Little Big League) perfect a jangly pop-meets-shoe gaze sound, and are touring in support of their new 7″ and a split EP with Spook School, Tigercats and Wildhoney.

WKDU will present the show on Sunday (after the Punk Rock Flea Market), so come say hello, check out our merch and pick up one of our free zines!**

Watch videos for King Gizzard’s “Gamma Knife” and The Murlocs’ “Unknown Disease,” and stream Mercury Girls’ new single, “Ariana,” below.

 

**While supplies last Continue reading “King Gizzard & the Lizard Wizard play Underground Arts this Sunday”

London punks Fat White Family coming to Underground Arts tomorrow w/ Dilly Dally and Philly’s Littler!

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Fat White Family live in NY 12/2014 by Gretchen Robinette for BrooklynVegan

Fat White Family is touring in support of their Fat Possum/Without Consent-released album Songs for Our Mothers (out this past January) and bringing the party to Underground Arts tomorrow, April 29. Known for putting on a great live show, FWF are as entertaining as they are bizarre – and a band that Vice once called “British rock’n’roll’s final hurrah.” Watch the video for the album’s first track, “Whitest Boy on the Beach,” below.

Joining them is Canadian band Dilly Dally (Partisan Records)– if Courtney Love and Joey Santiago had formed a side project in the 90s, this is who you’d get. Katie Monks’ gritty voice paired with lush pop guitar distortion make for some delectable rock tunes. Watch “Purple Rage” below and don’t miss them.

Get there early for Philly (seltzer-loving) band Littler, who just independently released Of Wandering in March will open the show. Watch their video for “Slippery,” below (from AV Club).

Additional show info here or here.

Continue reading “London punks Fat White Family coming to Underground Arts tomorrow w/ Dilly Dally and Philly’s Littler!”