Midwest producer Appian (pronounced App-ee-an) has been honing his ear for dance music since he was a kid, soaking up select cuts from his Mom’s collection. His Mom must have good taste, because Appian’s gone on to create some of the vibiest house music we’ve heard of late, recently joining forces with Chicago-based label Stripped & Chewed for a bumpin’ piano-laced four-track EP entitled Rite of Passage.
We caught up with Appian to talk about the midwest, snackin’, and to grab a sweet guest mix!
Appian: “I grew up in Ferndale, which is a suburb of Detroit, by 8 mile and Livernois. I listened to dance music as a kid because my mom had a bunch of CDs and tapes from DJs. When I got older, I got into Djing and making music.”
“For this mix, I had some slower tracks that I wanted to play. Usually I don’t play that much of the slower tempo stuff that I have, so this was a good opportunity to put some of those tracks together to see where it goes. As far as music influences, I was influenced by Rhythm Is Rhythm, some 80s club music, Aphex Twin’s techno stuff, and a lot of house music… among other things.”
WKDU: How’d the midwest influence your sound and how’d you connect with Stripped & Chewed?
Appian: The mid-west has its own style… I don’t know if I can really describe it though. Stripped & Chewed got in touch with me about doing a record. I’ve liked a lot of stuff that they have done with the label, so it was a great opportunity to collaborate.
WKDU: Any party pro-tips?
Appian: Play the music you love and music for your friends. Play music for the dancers.
WKDU: What’s your favorite post-party snack?
Appian: Chicken strips or coneys.
Peep clips of the Rite of Passage EP below & stay groovy y’all.
Our friend & anonymous producer Deeper Kenz just put out a fantastic tape on the always-excellent LA-based label 100% Silk. They put together a disco-laced mix for us and we chatted about wandering, relationships, and of course, Kensington.
Peep the mix & our discussion below:
KDU: Where did the Deeper Kenz alias come from?
Deeper Kenz: The name of the project was meant simply to pay homage to the place in which the music was made. I first moved to Kensington in 2007 and was 19 at the time. I feel like I became an adult there. I owe a lot to the neighborhood and its different residents.
KDU: How did Philadelphia influence the sound of this tape?
Deeper Kenz: The Sound of Philadelphia is a wonderfully dense landscape and so many parts of it have affected me deeply- the city’s towering contributions to Soul, Disco, and Hip hop, the Experimental and Noise music communities of which I was a peripheral part, the Saturdays of Caribbean music on WKDU, the talented people I DJ’d with at clubs and parties, the dancers there- I felt so connected to and inspired by all of this while I was working on the tracks that would end up on the tape. I spent so many hours wandering around the city but I was always most attached to Kensington. The track names were an attempt to create a map of some of the details of the area that were most important to me.
KDU: Were there any artistic influences that went into Deeper Kenz?
Deeper Kenz: I was obsessively digging for Techno, House, Disco, Funk, and Soul tunes at the time I was working on these, so I’m sure I was fully processing my education. I also was trying to make music I could play out Djing and would fit in the context of my sets. I was also inspired by the personal relationships I had at the time and the inexhaustible current of music flowing through so many of them. I hope the gratitude I feel shows in the music.
KDU: How did you get involved with 100% Silk?
Deeper Kenz: I got in touch with 100% Silk through some mutual friends- Britt Brown had written a review of another project of mine and we first began corresponding about that. He was interested when I told him I had some music that sounded vaguely appropriate for the label and I was ecstatic when they agreed to release it. I hadn’t exactly intended for these recordings to come out- they were just for myself and my friends. All this comes as a pleasant surprise.
KDU: What is your favorite food and/or drink to eat before or after hittin tha club?
Deeper Kenz: Ha- thanks to everyone at W/N W/N who fed me whether I asked for it or not.
Pour yourself a nice covfefe & enjoy the full Deeper Kenz tape here.
Last week, we had the honor and pleasure of hosting the ever-RAD Dave P in our studios to help him celebrate FIFTEEN YEARS of legendary Making Time parties. Our station actually goes way back with Dave, as he made his FIRST EVER RADio appearance on WKDU to promote the VERY FIRST Making Time in 2000.
Playing the right track at the right time is one of the most important aspects of DJing. I asked some of my favorite DJs that spun on New Year’s what they played at MIDNIGHT to see what songs ushered in 2015 !!!
I made an end of year list that doesn’t suck. In terms of methodology, I started by choosing 9 albums because the covers looked cool on a grid. There was also a ton of good shit outside of albums, so then I created the other categories and capped the entries in those categories by descending odd numbers (9-7-5-3-1).
Critical reviews & ratings are arbitrary (see: Pitchfork), but rankings are arbitrary as fuck, so for each category I put all the entries in alphabetical order.
It was hot in our studio when DJ SYLO and Jansen came through and laid down a two hour set as part of our newly revamped Electronic Music Marathon. These two young Philly producer / DJ / party starters definitely delivered one of the sickest sets of the marathon, dropping everything from MK and Cajmere to Blawan, Jam City, and LOL Boys. They’ve got a ton of stuff going on individually, but have also lit up North Broad Street together with their Pizza Party series as of late. I can’t wait to see what power moves both these guys have in store for the very near future. Listen back to their set from the EMM and peep our chat here:
CB: How did you guys link up?
SYLO: Earlier in our Temple days, me and some homies were throwing parties under the name SFO – So Far Out ENT. Our CEO, Dubz the Don, was fresh as hell. He and Jansen linked up and that led to me meeting Jansen. SFO parties were wild – the last one we did had 700 kids in it, diverse both in terms of crowd and music.
Jansen: That was when I was still a lost little freshman taking photos and stuff. I started DJ-ing the next year and got my start spinning with this Philly rapper named Tayyib Ali. I was kicking it with him a lot, going to shows and then he just had the idea for me to spin for him. That threw me into the fire in terms of doing a live show.
CB: How did you guys get your first turntable set up?
Jansen: I spent loan money to buy some some tables off Craigslist that didn’t work too well and got a mixer for my birthday. I was lucky because my uncle who used to DJ back in the day was trying to sell his old 1200s, so I sold the shitty Numark ones I had and kept his.
SYLO: I used to go to my homie’s spot in high school and watch this documentary Scratch over and over, it’s about DJing. He had tables too, so we would mess around on those. But he believed in me and sold me his tables for super cheap and I was out. I have vivid memories of listening to “Life’s A Bitch” at his spot.
Jansen: I grew up on hip hop/rap and lived in VA, so I was always into the trap shit and Southern rap, but was also always into some weirder electronic/dance/alternative type shit. I remember one of the first house parties I went to, I heard “Baptism” by Crystal Castles and it blew my mind. I liked them a lot because they were really different, original and hard. Second, and more important, was sometime during my sophomore year when I came across this Maya Jane Coles mix, I think it was like a live set. That mix opened my eyes to deep house and a more mature chilled-out side of house that I still love/play/produce today!
CB: Any reason why you gravitated towards the female artists, Jansen?
Jansen: I have no idea. Alice’s voice with Ethan Kath’s production is so unique to me and Maya Jane Coles is just like a goddess. The track “What They Say” — I saw the light when I heard that record.
SYLO: When I was first getting into club/electronic music in high school, I found Tittsworth – WTF (Nadastrom Remix) on hypem.com. I looked up Nadastrom and found out that they were from DC (I’m from Takoma Park, MD, inside the beltway) AND that they were playing this all ages party called Blisspop @ The 930 Club in a week. We got a crew together, put a bunch of vodka in water bottles and took the metro down to the club.
I remember so clearly THE MOMENT that I stepped into the club – everything changed. You gotta hear club music IN THE CLUB!
CB: Fast forward to today – tell me about the order of what happened between all the different things you guys have going on now.
SYLO: STUNTLOCO was born almost 2 years ago. Sammy Slice had been rocking Silk City on Thursdays for 5+ years and was looking for a young DJ to pass the night on to. I guested a couple times with him as a tryout and made the cut. I’ve been rocking every Thursday since [moved it to the 700 club in March]. Now, the whole thing has grown to the point where STUNTLOCO is something bigger – it’s our movement, it’s our crew, it’s a feeling that’s found across everything that we do. The crew is whoever is rocking with us: me, Matt Ford the MC, Daniel the photographer, Grace on visuals, Benz on marketing, Jansen spinning – it’s mad people, some more involved than others.
Jansen: Yeah so my point of view: STUNTLOCO (inspired by a Hispanic board game) was at Silk City for a while. I had been part of the fam for a while, but didn’t spin it until it moved to the 700 club. Then the Pizza Party just like came out of nowhere in a meeting.
SYLO: It started as this free secret house party, then just kept growing.
The idea was that we needed to throw a party for the people – get back to the roots and throw an ill house party.
We did four of those that were really awesome and then I was skating around looking for a venue for another party. I had thrown in the towel and went to go get a slice at Alessandros. When I saw they had a bar, you should’ve seen my face. The manager was there at the time and the rest is history.
Here’s a rare Pizza Party 3 gif:
Jansen: Originally, I had a specially designated “house set” which has grown into this beautiful thing where I can spin warm-vibey-pizza sounding house music – PIZZA HOUSE.
CB: What is a pizza sounding house track?
Jansen: It’s many sounds – Kaytranada fused with Julio Bashmore and a hint of French Express.
CB: One last thing – why pizza?
SYLO: Pizza is the universal comfort food. It’s amazing how many different types of people love pizza.
The whole point is to bring people together. Thank you pizza.
Jansen: Pizza is one of the better things earth has to offer. What’s better than eating a fresh piece of pizza and dancing to some groovy shit? I want pizza right now!